Let us March to the Bazar with Shackles in Feet

The bazar is the stage of ethical contestation, and place laying claim to Truth; it becomes Holy Altar Sacrifice. It ultimate witnessing, shahādat, or martyrdom which essentially witnessing Truth in form submission self into Self, a sublimation soul Soul, finding contingent being Absolute Being, journey from wujūd Wujūd. But that submission, paradoxically, must also be witnessed so can known, thus found, is, become maujūd (existent)—there needs shahāda Witnessing, take bazar, centre spectacle—the jalwa, tajallī, spectacular Divine Deployment through Self-manifestation. For without there’s no knowing knowing, realization Self-knowledge Being. That why all lovers Beloved, ‘āshiqīn al-Ḥaq̣q̣ al-Jamāl, Truth-Beauty, dance quintessential site manifestation Beloved as Love in, through, lovers’ ecstatic dance. company at sight Her Self-disclosure, Unveiling, central square before slaughtered on square. They do so, their shahādat love, intense sacrificing known by other Truth, Beauty, what iconic martyr shahīd-e ‘ishq, Hussain b. Mansur al-Hallaj brought upon himself, his Self out love—self-sacrifice an inherent quality condition ‘ishq love—turned scene public qattāl, assassination square, Self-disclosure itself. this intensified annihilation shāhid became shahīd, witness martyr, lover raising spectacle level And ever since, tajallī has common vocabulary phenomenological, metaphysical, aesthetic tradition Islam. In realm Urdu alone parlance popular poeticizations Faiz Ahmed Faiz, such oft-sung poem āj bāzār meñ pā-ba-jaulāñ chalo. Thus, martyrs like bazar—the city qalb, heart, pivot inqilāb, revolution—in Beloved’s City beckon others same fate. they intoxicated fear—in fact, pain suffering, naught but dam-sāz, companion breath, witness, intimate friend—they instead Joy Ecstasy. state invite more lovers, whose hearts are afflicted with pack up heart’s load, yet again, go murdered, sacrifice themselves, martyred for Truth.